And it is a trial for them to attend these events sometimes,’’ she said. “Their numbers are getting smaller and many are not as healthy. On recent anniversaries, the Jefferson National Parks Association has convened a group of the the builders to meet and greet park visitors.Īlthough the gathering is always popular with the public, this year will mark the final official gathering, according to Liz Forrestal, senior director of programs for the Jefferson National Parks Association. Louis riverfront that would celebrate America’s pioneer spirit.īut taking Saarinen's concept from paper to sky also required vision from the craftsmen who built the monument - along with a can-do spirit, American ingenuity, courage and muscle. Louisans to meet the men and shake their hands.īecause a standard monumental shape - an obelisk, rectangle or dome - wouldn’t do for Saarinen, the Arch remains a one-of-a-kind monument built of 630 feet of Wow! His design was modern and bold: a sleek and outsized arch of gleaming stainless steel on the St. Louis might have had a better chance of renewal if it had never torn down those historic cast-iron buildings.The story of the engineers and ironworkers who built Eero Saarinen's Gateway Arch never gets old, and Wednesday - the 50th anniversary of "topping out" day - might be one of the last opportunities for St. “As a tourist attraction,” Campbell wrote, the arch “has proven a remarkable success,” but, like so many American cities optimized for a future dominated by cars and the highways needed to bring them in from the suburbs, “St. Today its population ranking has fallen to 60th, and it has become the nation’s fifth poorest city. Louis was America’s eighth-largest city, an aspiring New York of the Midwest. The displacement came to epitomize 20th-century “urban renewal”-a euphemism, James Baldwin quipped, for “Negro removal.” Still, the site lay in empty squalor for a decade-and then came President Dwight Eisenhower’s Interstate System of highways, a stretch of which passed along the site, reviving the arch’s appeal as an outsized attraction for the vast stream of Americans vacationing in their cars.īut the highway also cut off many residents-mainly poor and black-from the development around the arch, aggravating racial tensions still fresh from when construction unions barred African-Americans from working on the site. But after the war, President Harry Truman, a Missourian, let the money flow. FDR’s interior secretary, Harold Ickes, nearly blocked the venture as “speculative real-estate,” until the war disrupted civilian public works projects. Louis Post-Dispatch counted 46,000 phony ballots, more than enough to tilt the outcome, and denounced the project as “election thievery”-40 square blocks of riverside property were bulldozed, including 290 businesses, mainly small factories in historic cast-iron buildings employing some 5,000 workers. Bernard, presented the plan as “an enforced slum-clearance program.”įollowing a rigged bond measure to cover the city’s costs-the St. But their real aim, according to Tracy Campbell, author of The Gateway Arch: A Biography, was to rid the city’s waterfront of “blighted” property and bring in federal construction dollars. In 1934, local business leaders promoted the idea of a memorial to Thomas Jefferson and the expansionary vision of his Louisiana Purchase. Today there’s little doubt about the gleaming monument’s visual appeal-there are three million visitors annually-but the promised “richer future” hasn’t exactly come to pass, and social critics put some of the blame for that failure on the arch itself. Eero went on to design Washington Dulles International Airport, the TWA terminal at JFK International Airport in New York and a celebrated line of high modern furniture, but died of a brain tumor at 51, fourteen years after he dreamed up the arch and four years before it was finished. Eliel uncorked the champagne-only to take out another bottle after receiving word from an apologetic official that, in fact, his son had beat him out. Completed 50 years ago this month, the Gateway Arch, the Midwest’s best-known monument, was hailed as linking “the rich heritage of yesterday with the richer future of tomorrow.”Įero Saarinen, a young, Finnish-born aesthete, won a 1947 competition for the design, but not before Eero’s father, Eliel (who designed Art Nouveau landmarks in Helsinki, including the famed central railway station), received a mistaken telegram including his name among the finalists. It’s the nation’s tallest monument, soaring 630 feet above the Mississippi River, 886 tons of stainless steel welded into a seamless curve, assembled with such precision that if either leg had veered off by just one-sixty-fourth of an inch the two couldn’t have been joined in the middle.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |